Producer Ayase interpolates prose as music alongside Ikura in Japan’s diamond-certified superduo YOASOBI. Atwood sits down with him ahead of YOASOBI’s first American performance to talk about this unique process and their new single, “Idol.”
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Get to know Atwood Magazine‘s writers in our special column where they become the interviewees, sharing their personal playlists and talking about their experiences covering music!
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Another consummate release from TWICE with their bevy of songwriters and producers, ‘Formula of Love: O+T=<3’ stands out among its contemporaries with eclectic influences and strong features.
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“The Feels” is an ecstatic celebration of TWICE that brings a dramatically different energy than their girl group contemporaries to fans across the globe.
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HEALTH’s 2019 single “FEEL NOTHING” is a grim, throbbing composition about anesthesia at the end of the world.
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Psychedelic Porn Crumpets’ Jack McEwan discusses the aftermath of touring, how Australia’s relative success with COVID is slowly bringing back live music, and the revival of psychedelia.
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Austrian band Mother’s Cake’s ‘Cyberfunk!’ proves incredibly polished, and “The Operator” is a standout for its rhythm and violence in turns.
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The best selling girl group of all time, TWICE show their chops with more sophisticated songs, a bevy of international collaborators, and a strong theme of growth on ‘Eyes Wide Open.’
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“Whoo! Alright – Yeah…Uh Huh.” sets fire to a dance floor and then questions the ambitions of rock as an art form.
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Haru Nemuri, the stage name of Haruna Kimishima, self-described “poetry rapper” delivered one of the most singular albums of 2022 thus far.
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‘May Our Chambers Be Full’, the debut collaboration between Thou and Emma Ruth Rundle, feels like a natural synthesis of the artists’ styles from its blasphemous aesthetics, to its bleak lyrics.
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“The Valley” has the pathos of both Thou and Emma Ruth Rundle, harmonized into a new melody.
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“Nightmares” takes Alice Glass’s solo heading and amplifies, toys with it, negotiating some of Glass’ rawer instincts.
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Run the Jewels’ rage is an explosion against a disease the US has been grappling with since time immemorial, and with ‘RTJ4’, that rage has only grown more precise and cutting.
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With the tedium of modern pop reaching what might be its apex, Loose Fit and their debut single “Pull the Lever” seem tailor-made to lead a rebellion against the tawdry tracks that dominate the attention economy.
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Los Angeles band Idle Joy’s devil-may-care attitude will grip listeners on their driving, bluesy new track “Neighbors.”
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